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Hand-Thrown Studio Pottery Pitcher — Creamy Speckled Glaze with a Coral-Pink Folk Band

$60.00 Only one available

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Vintage Stoneware Very Good
HDRP-VR-0016
A real potter sat down at the wheel and made this one. You can see it in the throwing rings circling the body, the loop handle pulled by hand, and the pour spout pinched into shape at the rim. Buff stoneware under a creamy, softly speckled glaze, with a simple hand-painted band of coral-pink around the belly. About 10 inches tall — a useful country pitcher that doubles happily as a vase.
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Hand-Thrown Studio Pottery Pitcher — Creamy Speckled Glaze with a Coral-Pink Folk Band

Vintage

Hand-Thrown Folk / Studio Pottery


This pitcher was made the slow way — thrown on the wheel from a lump of buff stoneware, its handle pulled by hand and its pour spout pinched and folded into shape at the rim. Throwing rings spiral up the body, the quiet signature of a maker working one piece at a time. A creamy, softly speckled glaze cools to a gentle blue-grey where it pooled, and around the belly runs a simple painted folk band: coral and salmon-pink lines with a thin blue-grey stripe and a few loose brushstroke petals. Nothing fussy, just an honest touch of color.

It came to us from a private North Carolina estate, where it was clearly used and lived with. That is exactly its appeal — the character of something handmade and genuinely enjoyed, carried through a real home, is the kind of thing you cannot manufacture. Substantial and useful, it works just as well holding cream or lemonade as it does standing in for a vase.

Materials Buff stoneware, wheel-thrown by hand with a pulled loop handle and pinched pour spout; creamy speckled glaze with hand-painted coral-pink folk band.
Care Hand-wash with mild soap and warm water; avoid sudden temperature changes and harsh abrasives. Dry the unglazed foot fully before storing.

Specifications

Dimensions
12 × 12 × 10 in
Weight
1 lbs
SKU
HDRP-VR-0016
Some pottery is pressed out by the hundreds. This isn't that. A potter sat down at the wheel, centered a lump of buff stoneware, and brought up this pitcher with their hands — and the evidence is right there to see and feel. Throwing rings spiral up the body. The loop handle was pulled by hand and joined cleanly. The pour spout was pinched and folded into shape at the rim, the way it's been done for a very long time. The glaze is creamy and quiet — an oatmeal off-white with a soft speckle, cooling to a gentle blue-grey in places where it pooled. Around the belly runs a simple painted band: two coral, salmon-pink lines with a thin blue-grey stripe between them, and a few loose brushstroke petals spaced along it. Nothing fussy. Just an honest folk touch from someone who knew the piece deserved a little color. Coral-pink, cream, a whisper of blue-grey — that's the whole palette, and it's plenty. It's a substantial, useful form. Pour cream or lemonade from it, or stand a handful of stems in it and let it be a vase. A pitcher this size earns its place on a table. It came to us from a private North Carolina estate — clearly a piece that was used and lived with, which is exactly the point. The character of something made one at a time, and carried through a real home, is the kind of thing you can't manufacture.

The Details

  • Wheel-thrown studio pottery — visible throwing rings, a hand-pulled loop handle, a hand-pinched pour spout
  • Buff/tan stoneware body under a creamy, softly speckled glaze with a gentle blue-grey cast in places
  • Hand-painted folk band around the belly: coral/salmon-pink lines with a thin blue-grey stripe and brushstroke petal motifs
  • About 10 inches tall, roughly 10 inches wide at the handle, with a body about 7.5 inches across
  • Works as both a pitcher and a vase
  • The faux florals in the photos are styling only and are not included

Condition

Very Good. Clean and structurally sound. The hand-pinched spout and rim are intact, with no chips or cracks, and the loop handle is fully intact with sound joins. The speckle and the soft blue-grey cast are characteristics of the glaze, and the coral-pink band is intentional decoration — all part of how the piece was made. The unglazed stoneware foot shows a little old firing residue, normal to the making and not damage. Light, honest wear consistent with a piece that was used and enjoyed.